As those who have visited New York's Morris-Jumel Mansion are aware, a wallpaper decorated with morning glory vines hung in the house during Eliza and Stephen Jumel's tenure, and an exact copy adorns the front parlor today. The reproduction was printed from wooden blocks carved specially for the mansion by H. Birge & Sons of Buffalo, New York, in 1916. But here's the kicker: I just discovered that Birge must have printed additional sheets. The same paper can be seen hanging in the William L. Brown House in Providence, Rhode Island—the city where Eliza was born—in a photograph from 1958. Perhaps the choice of paper made by the then-owner of the house stemmed from one of Jumel's early fictions. As a young woman with the maiden name of Bowen, she gave her surname as Brown instead, possibly to suggest an association with a family of wealthy Providence merchants named Brown.
Detail of wallpaper in the front parlor of the Morris-Jumel Mansion.
Front parlor of the Morris-Jumel Mansion, showing a twentieth-century reproduction of early nineteenth-century wallpaper that hung in the house when Eliza and Stephen Jumel lived there.
Exterior of the William L. Brown House in Providence, Rhode Island.
William L. Brown House, 23 John Street, Providence, RI, in 1958. Library of Congress, HABS RI,4-PROV,125-1. Built 1795 to 1798.
Stair hall of the William L. Brown House in Providence, Rhode Island, hung with morning-glory wallpaper.
Stair hall hung with morning-glory wallpaper, William L. Brown House, 23 John Street, Providence, RI, in 1958. Library of Congress, HABS RI,4-PROV,125-4.
Whether the Madame Jumel paper is still in the Brown House, I do not know. But it may hang on other walls yet to be discovered. Birge printed a fresh edition of the wallpaper for the mansion just in time for the bicentennial in 1976. At the same time, the pattern was made available for sale to the general public as well by Reed Ltd, which had just acquired Birge. Anyone have the wallpaper hanging in their home, perchance?

Detail of the wallpaper in the stair hall of the William L. Brown House in Providence, Rhode Island.
The visible seam in the paper makes clear that this wallpaper in the Brown House is the twentieth-century reproduction by H. Birge & Sons, rather than an early nineteenth-century original. It was clearly made in long strips rather than smaller rectangles that were pieced together (the latter being a distinguishing characteristic of wallpaper printed and hung in the eighteenth and early nineteenth centuries).
In 1858 Eliza Jumel rented and then purchased two adjacent lots on the northwest corner of 41st St. and Seventh Avenue—just south of today's Times Square. Initially a house on one of the lots housed Madame Jumel's great-niece and namesake, Eliza Jumel Pery, and Pery's husband and young daughter. But a year later the little family moved, first to W. 45th St. near Fifth Avenue and then further north to the East Sixties. This 1855 view of Midtown shows the northward march of the city that doubtless inspired their relocation to quieter surroundings.
New York, from the Latting Observatory, 1855. New York Public Library. The view stretches from 42nd Street to the southern tip of Manhattan.
The reservoir at 42nd St. and Fifth Avenue, in the left foreground of the image, stored water brought to the city by the Croton Aqueduct (which crossed Eliza Jumel's uptown land). The reservoir was decommissioned in the 1890s—replaced by underground water pipes—and then demolished. The site became the home of the New York Public Library.

The iron and glass structure next to the reservoir, an exhibition space known as the Crystal Palace, sadly burned down in 1858. Forty-second Street runs in front of it, across the lower edge of the print. The avenues zooming towards us are Fifth Avenue to the left of the reservoir, Sixth Avenue to the right of the Crystal Palace, and Broadway to the right of Sixth. The image is not quite wide enough to encompass Eliza’s properties at 41st St. and Seventh Avenue, which would be just beyond the right edge of the print.

On the far right in this detail, you can see three buildings fronting on Broadway just north of 41st Street, a block not yet fully built up. Behind them, some of the block stretching towards Seventh Avenue is visible, but not all the way to the Jumel properties on the northwest side of Seventh.